Hello every one,
Today, we will be completing the
1st chapter of Natya Shastra. I am continuing from where I left last
week. Brahma, after finishing his details about the representations in the art
form, continued, by saying that praying and offering pooja to the stage is very
important before starting the performance. Also, Vigneswara, Maheswara (Shiva-
the Lord of dance) and Brahma (author of Natya Veda) are invoked before the
performance.
The 1st chapter in a
nut shell, brings out , how the people related to Natya should be.
- The poet composing the literary piece should be as creative as Brahma, the creator of the Universe.
- The sponsor and the stage manager should have the organizing ability as Indra.
- The preceptor (teacher) should be as versatile as Bharatha himself.
- Sons of Bharatha and the celestial Damsels can be compared to the male and female dancers respectively.
- The instrumentalists should be as knowledgeable and experienced as Sage Svati.
- The person in charge of music should be great like Sage Narada.
- Last but not the least, the people who visit the theatre should have full aesthetic sense and should not have prejudices any way.
This brings us to the end of the
1st chapter of Natya Shastra. The 2nd chapter is about
the characteristics of the Play House. We will start the fresh chapter next
week.
I want to talk about problems
related to the Guru or teacher. I would like to insist one point here. Popularity
is different from accomplishments. So, please don’t run behind just brands
while selecting a teacher. After you start your classes with the teacher, be patient
in matters concerning the teacher – student relationship. Parent plays a major
role in maintaining the relationship between the child and the teacher.
Just like you adjust to the problems with your
school teachers, adjust to your music or dance teacher too. Just like doing
your school home work, practice the art regularly. This will make
your teacher feel good about you and also himself/herself. Practice will make you improve which in turn
will induce more interest which will again make you practice more. Trust your
teacher thoroughly. Do not, I repeat, do not expect immediate or quick
results. Long term commitment, patience and perseverance are very very
important. I will speak more about this in my next week’s blog too.
This week’s ‘The Hindu’ brought
to our attention that the Great dancer Bala Saraswathi’s 96th
birthday falls on May 13th. She was called the ‘Queen of Abhinaya’. Bharathanatyam
is so well known in the west now. This is mainly due to Bala. She is the only
dance exponent until now who received the ‘Sangeetha Kalanidhi’ award from ‘Music Academy’,
Chennai.
Good to see that even the layman who does not know about the dance is also included and a grammar has been given to them in natya shastra.
ReplyDeleteSalutations to the great guru Balasaraswathi amma.